Artwork by Roland Gissing Wanted for Purchase and Consignment
For over 30 years Mayberry Fine Art has quietly brokered sales for countless Canadian and International works of art from private collections.
We provide complete services to confidentially assist you with the sale of complete collections or single works of art.
What to expect when selling or consigning your artwork with Mayberry Fine Art
- Use our Appraisal and Valuation form to send us details on the work(s) of art you may wish to sell. Some of the details we will need include.
- Artist Name
- Size (measurements)
- Date
- Signature
- When and where aquired
- Condition
- Good quality photograph
- After a fair market value has been agreed upon, we may need to examine the artwork for condition and authentication.
- In the case of larger works or collections which may be awkward to transport, we will visit your location to view the works.
- Crating and shipping is available when needed.
- Purchase options include outright purchase or consignment sale.
- Commission with regard to consignment sales is an agreed-upon percentage between Mayberry Fine Art and the seller. It is based on the value of the artwork. Commission on higher valued works can be as low as 5%.
- Unless specifically expressed otherwise all values and prices discussed or published are in Canadian funds.
Click here to complete the valuation form.
Roland Gissing
1895 - 1967Born in England, Gissing became a painter of Canadian mountains and foothills. He was the son of an author and studied at George Watson's College in Edinburgh, Scotland. His love of American cowboy movies influenced his move to Canada in 1913, and for ten years he worked as a ranch hand in Alberta, Montana, Nebraska, and Arizona. Painter C.W. Jefferys in Calgary encouraged his art talent and Gissing settled near Cochrane at the fork of the Ghost and Bow Rivers. In 1929 he had his first one-man show which was highly successful although he had had little formal instruction. A studio fire in 1944 destroyed his oil paintings so he turned to watercolor of the English school painting in clear, soft tones. His main subjects were sunlit mountains and rivers, scenes reproduced on calendars and cards, and he would often backpack into the wilderness for weeks to get his subjects.





